Horror Authors Share the Most Terrifying Narratives They've Ever Read

A Renowned Horror Author

The Summer People by Shirley Jackson

I encountered this tale long ago and it has haunted me ever since. The so-called “summer people” are a couple from the city, who occupy an identical off-grid lakeside house every summer. This time, instead of heading back to urban life, they decide to lengthen their vacation a few more weeks – something that seems to alarm each resident in the surrounding community. Everyone conveys an identical cryptic advice that no one has remained in the area after Labor Day. Nonetheless, the Allisons are resolved to stay, and that is the moment situations commence to grow more bizarre. The individual who delivers oil declines to provide to the couple. No one agrees to bring groceries to their home, and as they attempt to go to the village, the automobile fails to start. A storm gathers, the energy within the device fade, and when night comes, “the two old people huddled together inside their cabin and anticipated”. What are the Allisons anticipating? What do the residents understand? Every time I revisit Jackson’s unnerving and influential narrative, I remember that the best horror stems from the unspoken.

Mariana Enríquez

An Eerie Story by a noted author

In this short story a pair journey to a typical coastal village where church bells toll the whole time, a constant chiming that is irritating and unexplainable. The opening truly frightening episode takes place after dark, at the time they choose to go for a stroll and they are unable to locate the sea. Sand is present, there’s the smell of decaying seafood and salt, waves crash, but the sea appears spectral, or something else and more dreadful. It’s just deeply malevolent and each occasion I travel to a beach after dark I recall this story that destroyed the ocean after dark in my view – in a good way.

The newlyweds – the wife is youthful, the man is mature – return to the hotel and learn why the bells ring, through an extended episode of claustrophobia, macabre revelry and mortality and youth intersects with dance of death chaos. It is a disturbing meditation on desire and deterioration, a pair of individuals aging together as partners, the bond and brutality and tenderness within wedlock.

Not merely the most terrifying, but probably a top example of concise narratives available, and an individual preference. I read it en español, in the initial publication of this author’s works to be published locally a decade ago.

A Prominent Novelist

Zombie from Joyce Carol Oates

I read Zombie near the water in the French countryside recently. Even with the bright weather I sensed a chill over me. I also experienced the excitement of fascination. I was composing a new project, and I faced an obstacle. I didn’t know whether there existed an effective approach to craft certain terrifying elements the story includes. Reading Zombie, I saw that it could be done.

Published in 1995, the book is a bleak exploration into the thoughts of a young serial killer, the main character, modeled after an infamous individual, the criminal who killed and dismembered 17 young men and boys in Milwaukee between 1978 and 1991. Infamously, the killer was fixated with making a zombie sex slave who would stay with him and attempted numerous horrific efforts to achieve this.

The acts the story tells are terrible, but just as scary is the emotional authenticity. The protagonist’s dreadful, broken reality is plainly told with concise language, details omitted. You is plunged caught in his thoughts, obliged to observe ideas and deeds that appal. The foreignness of his psyche feels like a bodily jolt – or being stranded on a desolate planet. Starting this book feels different from reading than a full body experience. You are absorbed completely.

Daisy Johnson

White Is for Witching from a gifted writer

During my youth, I walked in my sleep and subsequently commenced suffering from bad dreams. At one point, the terror featured a dream in which I was trapped in a box and, when I woke up, I realized that I had torn off a part from the window, seeking to leave. That home was decaying; during heavy rain the ground floor corridor flooded, insect eggs dropped from above on to my parents’ bed, and at one time a sizeable vermin ascended the window coverings in that space.

When a friend gave me the story, I was no longer living in my childhood residence, but the story about the home located on the coastline seemed recognizable to myself, longing at that time. It is a novel featuring a possessed clamorous, sentimental building and a girl who consumes calcium from the cliffs. I cherished the story immensely and went back again and again to the story, always finding {something

Kyle Dougherty
Kyle Dougherty

Elara is a passionate writer and designer who shares insights on creativity and storytelling, drawing from years of experience in digital content.